Nikon's Secret Prototype Canon Lens Cleaner; Leica Rangefinder M and Screw Mount Serial Numbers LEICA SERIAL NUMBERS: Leica Serial Number data is courtesy of Leica. I've organized it in several ways, editing and color coding the tables to enhance clarity. Ewa bluetooth speaker manual. If you want to check the serial number of a lens that was sold as part of a kit, the model name of the body of the kit needs to be selected from the model list below. If you remain unsure whether your Canon product is intended for sale in your region, simply send the model name and serial number to [email protected]. Please allow a few.
The company changed its name to Canon Camera Co., Inc. in line with the “Canon” brand used for its cameras, while the head office plant was moved to Shimomaruko, Ota ward, Tokyo. Although this was the time when 35mm cameras coupled with rangefinder were the most popular, an advanced German camera Leica “M3″, which was far superior to any other camera. While most of the domestic camera manufactures were retreating from making rangefinder cameras, Canon continued to introduce masterpieces of rangefinder cameras equipped with uniquely developed systems.
Canon Rangefinder Serial Numbers
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Post-War Foundation Building by the Development of Original Cameras
“S II,” the first new model when the factory resumed operation after the world war II
By the end of November l946, one year after the resumption of the operations at Precision Optical Industry Co., Ltd., approximately 560 “J II” cameras had been produced. The steady growth of the production resulted from increasing demands for cameras “domestically exported” to the Allied Occupation Forces. In October of the same year, the “S II,” a long awaited new Canon product, was introduced. It had the viewfinder and coupled rangefinder combined into a single window. This was an original Canon design that was not found in the Leica camera. While the “J II” model was considered to be the legacy of the pre-war “Standard Model”, the “S II” camera was expected to play the role of foundation builder for the post-war Precision Optical Industry.
“II B,” the cornerstone of Precision Optical Industry after the war
Another new mechanism was developed for the “II B,” which was released in April l949. The camera featured a three-mode optical viewfinder. The viewfinder magnification could be changed depending upon the lens in use. This three-mode optical viewfinder was an original Canon design matched to the interchangeable lenses, and this specification was passed on to the future Canon 35mm rangefinder cameras. In other words, the solid foundation for the post-war Precision Optical Industry was established at this stage.
Establishment of Canon Camera Co., Ltd. for Further Expansion
During this period, two major events took place that had affected the destiny of the development of Precision Optical Industry Co., Ltd. One major event was the change of the company’s name to Canon Camera Co. Icy tower classic mac. Ltd., and the other was the move of the Head Office Plant to Shimomaruko.
Those days, there were many camera-loving personnel in the Allied Occupation Forces who complained that product branding was very confusing: Canon for cameras, Serenar for lenses, and Precision Optical Industry for the manufacturer of these products. Some of them came to Meguro looking for Canon cameras and found it difficult to remember that the name of the company they were looking for was Precision Optical Industry. Responding to these complaints, and in view of the need to make the company easily recognizable internationally, Mitarai decided to change the company’s name to Canon Camera Co., Ltd. as of September 15, l947. After this change, the names of the manufacturer and the camera were unified under Canon, and the Serenar lens brand was also changed to the Canon in l953.
President Mitarai made a trip to the United States in August l950, three years after the change in company name, to observe the international trade fair and study the trends in the camera market. He was also looking for the opportunity to establish a sales network in the United States. In order to seek their cooperation in Canon’s sales in the United States, he visited Bell and Howell Company, a well-established company with advanced technology as well as a sales network in the area of 8mm and 16mm cinecameras and projectors. Unfortunately, his request was turned down, in spite of the fact that Bell and Howell recognized the excellent quality of Canon’s high-end 35mm cameras. The major reasons for the rejection were that the Canon cameras were made in Japan, and that Canon’s factories were all wooden buildings that could easily catch fire.
Fuji Aviation Instruments Co. Ltd.’s factory before being sold to Canon
Although his sales plan in the U.S. Market did not materialize, Mitarai’s visit to the United States was not entirely in vain. In fact, Canon benefited greatly not only by the valuable information gathered about the latest status of the world’s camera industry, but also by recognizing the need for a new fire-proof factory building with the most modern facilities. In June, the company, looking for new factories, purchased and started remodeling the plant site of the former Fuji Aviation Instruments Co., Ltd., located in Shimomaruko, Ohta Ward in Tokyo. Beginning in November l951, Canon started reorganizing its head office divisions located in Ginza, Meguro factory and Itabashi factory, and gradually moved their major functions to the new Shimomaruko Head Office Plant.
The new plant in Shimomaruko was very colorful and modern, employing different colors for different workplaces. With the completion of the Shimomaruko Plant, the foundation for a modernized Canon company with the worldwide market in view was established.
Masterpiece Lens “Serenar 50mm f/1.8″
Although the Serenar lenses for popular cameras began to appear in the market after the war, the shortage of raw materials brought such strange situations that the first post-war Canon camera, the “J II” was supplied with either the “Serenar 50mm f/3.5″ or “Nikkor 50mm f/3.5″ lens. Finally, in 1947, the development of the “Serenar 50mm f/2″ was completed and used as the standard lens. At the same time, the “Serenar 135mm f/4,” Canon’s first interchangeable lens was introduced.
Fifa 2007 full version. Confirming that Canon had started the full-scale production of the Serenar lens within the company, Nippon Kogaku stopped supplying the Nikkor lens in 1948. This marked the beginning of era when Canon’s high-end 35mm cameras were supplied with the company’s own lenses.
“Serenar 50mm f/1.8,” masterpiece lens of Gaussian type
The “Serenar 50mm f/1.8″, which was introduced in 1951, was developed by Hiroshi Ito, an engineer who later made great contributions to the diversification of Canon’s business. This lens provided an elegant solution to the weakness of the Gaussian lens that often generated flare (coma) at large apertures. Because of his accomplishment, the Serenar lens has been known as a historical masterpiece. Coma was the weakness of the large aperture Gaussian lenses, the solution of which had been a technical challenge to the prominent lens designers throughout the world. The basic optical theory developed by Ito to solve the problem using his own unique analysis expedited the development of the large aperture wide angle and telephoto interchangeable lenses. As the name of the lens was changed from Serenar to Canon, the company was able to produce many masterpiece lenses based on Ito’s theory.
Many Masterpieces of High-End 35mm Cameras that Captured the Users’ Fancy
At the beginning of the 1950s, Canon put many new cameras on the market successively. The “III” camera, Japan’s first model equipped with a fast 1/1000 second shutter speed was released in February 1951. This was followed two months later in April, by the “IV,” which had a flash rail that enabled using a flash unit directly connected to the camera without a cable. Several more cameras including the “III A,” an improved version of the “III,” were introduced one after another in the new product rush of 1951.
While the development of new products continued, it was inevitable that masterpieces were born, one of which was the “IV Sb.” The “IV Sb,” marketed in December l952 featured the “X” synchronization for electronic flash. The IV Sb was the world’s first 35mm rangefinder camera with electronic flash synchronization. Especially significant was the “IV Sb2,” the improved model of “IV Sb” which was released in March l954. This camera gained an 1/15 second shutter speed by using a slow governor with a dual-escapement mechanism. With the advent of the 1/15 second shutter speed, for the first time the shutter speeds could be a geometric progression of two as the f/stop range of the lenses and exposure meters markings were. The “IV Sb2″ camera was highly evaluated as being a masterpiece equal to the Leica.
Impact of Leica M3
By this time, the 35mm rangefinder cameras developed by Canon were considered equal to the Leica, the world’s best camera. Shortly before the release of the “IV Sb2,” the “Leica M3″ was unveiled at the 4th “Photokina,” the international camera trade-fair held in Cologne, West Germany in 1954. The “Leica M3″ was a camera based on a concept completely different from the conventional development approach to the rangefinder cameras.
It was reported that Canon’s engineers who saw the “Leica M3″ for the first time were greatly shocked by the level of perfection in the camera as represented by the brightness and visibility of its viewfinder, as well as by the accuracy of its rangefinder. In spite of the fact that their improved model “IV Sb2″ had received good acceptance from its users, Canon engineers realized that, with the debut of the “Leica M3,” the camera world was about to experience great change. This heralded the era of great changes in cameras, leading the company to seek new directions.
Pinnacle studio moviebox deluxe version 9 drivers for mac. Since it was difficult to imitate the “Leica M3″ introduced in 1954 in terms of its bright viewfinder and accurate rangefinder, many camera manufacturer, including Canon, were forced to shift their development goals to the camera that would lead the world’s market in the future. What Japanese camera manufacturer, including Canon, decided was to concentrate on the single lens reflex (SLR) camera with system capabilities, which could be developed using Japan’s own technology. This SLR camera was to become the new camera, which would be accepted by the world, capable of overcoming the previous limitations of the rangefinder cameras including the use of telephoto lenses.
Canon Rangefinder 50mm f/1.2 LTM description: Introduced in 1956 by Canon, the 50mm f/1.2 lens was the fastest mass market lens available in Leica Thread Mount (LTM) at that time. Canon advertised that the lens 'incorporates rare-glass elements, permitting its aberration-free performance at all stops.' There are two versions of the 50mm f/1.2 lens, with the difference being merely cosmetic - the first version has 'CANON CAMERA CO.
Canon Digital Rangefinder Camera
Japan' imprinted around the rim, while version two has 'CANON CAMERA CO., Inc. LENS MADE IN JAPAN' imprinted. According to Canon collector Peter Kitchingman's site www.canonrangefinder.com and his recent book, version one was produced from 1956-1960, while version two was produced 1961-1967. Peter has confirmed that 43,675 of the 50mm f/1.2 lenses were produced - with about 24,000 being of version one and the remaining being of version two. Serial numbers run from 10050 to 56440, again according to Kitchingman. Version one came with a 57mm satin chrome lens cap and a 40mm satin chrome rear cap, while version two came with a 57mm black plastic lens cap and a 40mm black plastic rear cap.
While the 50mm f/1.2 lens had a standard black and satin chrome finish, a small amount of 'black' versions of this lens were produced as an option for purchasers of the 'all-black' Canon Rangefinder camera bodies. The aperture ring and distance scale was finished in black rather than the normal chrome finish. Scroll down the page for an image of this variant. You can read more about the 'black' version here: This lens has some unique crazy swirly bokeh that is somewhat similar to the canon 50/0.95 aka the 'dream lens.' This is because the formulation of this lens is exactly the same as the 50/0.95 except with smaller glass elements making it a f1.2 instead of the 0.95 huge light gatherer. Helicoid adapter reduces minimum focus distance by about 50% minimum focus distance (stock): 45 inches country of origin: Japan year of manufacture: 1956 minimum focus distance as adapted: 23.6 inches lens mount: L39 front filter size: 55mm mounted front filter: serial number: 23077 estimated value: $650 usd date added: February 09, 2014 status: active mounted adapter(s): mounted hood(s): mountable on camera(s).
Canon Camera Serial Number Lookup
Condition I bought this lens off ebay from Photo Village in NYC. My lens is marked 'CANON CAMERA CO. Which mean this the 1st version of the lens produced from 1956-1960.
It is also marked with an ' ' ('Exchange Post') which means it was for sale at US Military bases in Japan. Supposedly, this makes the lens more collectible. ' wasn't mentioned in the listing and I didn't even notice until I got the lens and looked it over. The lens body is super clean however the aperture was oily and there was some very light haze in the rear element. I'm guessing that this lens was stored away and not used much in it's life.
Physically it looks as brand new as a 60 year old lens can. Originally Posted By leemik 4/22/2014 - CLA'ed (overhauled) by Youxin Ye. He disassembled the aperture and cleaned each blade and then cleaned each lens element.
The lens is now as good as it was when it was new. Eventually all the old Canon LTM lenses will suffer this fate because the grease will break down after 50+ years. If your aperture is oily, it's better to get it CLA'ed before the grease fouls the rear element (which is common in this lens). If you want to DIY, here's a tutorial on how to open and clean the Canon 50/1.2 LTM Internals dust: a few specks haze: none fungus: none separation: none scratches: none aperture: clean Body focus feel:normal aperture feel: normal with clicks scratches and dings: none tarnish/wear: some very slight wear upon close inspection other: non-destructively disabled infinity lock. Originally Posted By leemik 4/4/2015 - Disabled the infinity lock by simply wedging a piece of match stick under the tab to keep it up all the time.
A completely non-destructive and reversable mod that improves the experience of using this lens. Look and Feel The lens looks great and feels well balanced on my mirrorless cameras.
I've read some reviews where someone said it was big and clumsy. Well, I guess they've never touched an SLR lens in their life? LOL I think it size is fine.it's just the infinity lock I have a problem with and I defeated that. The focus ring is about a 180 degree turn from MFD to infinity with just the right amount of feel and the aperture ring turns smoothly with slight clicks at every f-stop. Optical Performance This lens gets a lot of bad press but I think it's is a good performer.
Wide open there is a sort of glow to the image like all super fast lenses but stopped down to f2-2.8 the glow goes away. This lens is fairly sharp wide open and even sharper stopped down. The sharpness wide open surprised me as others have reported it to be somewhat soft and dreamy wide open. Perhaps I got a really good copy? Colors are punchy and excellent as all Canon lenses ever made it seems. Especially reds. Contrast is average but all lenses this age don't have the most advanced coatings.
Canon Rangefinder Camera Serial Numbers Free
According to the Peter Dechert's (1985) Canon Rangefinder Cameras, 87,875 Canon P's were made. This makes them one of the more common rangefinder models, however there has been a recent renaissance in their popularity with the Leica screw-mount crowd, so their prices has skyrocketed.
Nikon Rangefinder Serial Numbers
I think the lens hood helps improve the contrast a bit.and in this day and age of course all you have to do is boost the contrast in Photoshop. The bokeh is swirly and nervous and can also get 'bubbly' at times. It definitely has a lot of character.
Some people might call it bad bokeh but I love it and try to use the lens at wide open as much as possible. The A7R has a ridiculous max shutter speed of 1/8000 sec so you may just get away with shooting on a somewhat sunny day at f1.2 without any filters. One of the annoying things about this lens is the really long minimum focus distance. The helicoid adapter does help a lot though. Accessories The lens came with the original black metal 'Canon' cap and rear L39 plastic cap.
I'm not sure the front cap is original because I read that the first edition 50/1.2 LTM lenses came with a silver metal Canon cap and the black metal cap was for the later lenses. I managed to find a rare original Canon 50/1.2 lens hood and brown leather case on KEH in excellent condition. They also had an old school Canon 55mm UV filter so what the heck, I bought that too =) Verdict I really like this lens! It has a lot of that vintage charm and produces some pretty good pictures as well. I dislike the infinity lock however and I'm so glad I found an easy way to disable it without doing any damage to the lens. One other thing I don't like is the reaaaally long MFD, even with the helicoid adapter it's still pretty long.
If you can't afford the and want a bit of that charm this lens is a must buy. The Canon LTM lenses are a bargain relative to Leica prices. Flick r groups My Sample Pics Sony A7R.a lot of these were shot wide open. PP involved contrast boost and resize by, on Flickr by, on Flickr by, on Flickr by, on Flickr by, on Flickr by, on Flickr by, on Flickr by, on Flickr by, on Flickr by, on Flickr by, on Flickr by, on Flickr by, on Flickr.
Expire: 2014-12-26 Posted: Tue Sep 30, 2014 5:54 pm Post subject: kuuan wrote: congrats for this lens! I have no idea about the serial numbers or for how many years this lens had been produced, but at the 'Canon Cameramuseum', great source of anything Canon, it says that it was first marketed in 1956: my photos on flickr: list of lenses for sale on flickr profile Lightshow Joined: 04 Nov 2011 Posts: 2770 Location: Calgary Posted: Tue Sep 30, 2014 6:07 pm Post subject: Lightshow wrote: Production started in 1956 Quote: There are two versions of the 50mm f/1.2 lens, with the difference being merely cosmetic - the first version has 'CANON CAMERA CO. Japan' imprinted around the rim, while version two has 'CANON CAMERA CO., Inc. LENS MADE IN JAPAN' imprinted.
According to Canon collector Peter Kitchingman's site and his recent book, version one was produced from 1956-1960, while version two was produced 1961-1967. Peter has confirmed that 43,675 of the 50mm f/1.2 lenses were produced - with about 24,000 being of version one and the remaining being of version two. Serial numbers run from 10050 to 56440, again according to Kitchingman. Version one came with a 57mm satin chrome lens cap and a 40mm satin chrome rear cap, while version two came with a 57mm black plastic lens cap and a 40mm black plastic rear cap. I have the second version. A Manual Focus Junky.
Canon Rangefinder Camera Serial Numbers List
One photographers junk lens is an artists favorite tool. Wolfhansen Joined: 06 Oct 2013 Posts: 330 Location: Germany, Ruhr Area Posted: Tue Sep 30, 2014 6:12 pm Post subject: wolfhansen wrote: Thanks guys - so i have the first version. Greets Wolfgang Display posts from previous. Ace base flac.